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Embroidery

New! Read three sample articles from the March/April 2004 issue in PDF format

JOURNEY THROUGH THE MYTHSCAPES The work of Alice Kettle (488K)
IN THEIR OWN WORDS Audrey Walker and Roz Hawksley (440K)
AT THE CUTTING EDGE Clyde Olliver (296K)

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What's in the September/October 2005 issue...

Work by Eirian Short
Eirian Short

work by Helen Amy Murray
Helen Amy Murray

work by Alison Willoughby
Alison Willoughby

work by Lynn Setterington
Lynn Setterington

work by Jeanette Appleton
Jeanette Appleton

A Life in Stitches
Eirian Short reflects on her fifty year career as an artist and embroiderer

Another Dimension
Design award-winner Helen Amy Murray transforms fabric into sculpture

Chelsea Crafts Fair 2005
We bring you a preview of the craft world's top showcase for new talent

Economy of Scale
Lynn Setterington tackles big issues on a small scale through textiles
Jo Hall

Inspired to Stitch - 21 Textile Artists
Read it here! An exclusive preview of Diana Springall's new book

         

work by Diane Bates
Diane Bates

work by Linda Rudkin
Linda Rudkin

work by Deirdre Wood
Deirdre Wood

work by Carol Collet
Carol Collet

Painted Lady
Costume designer Diane Bates' work is far from retiring, as Deborah Mulhearn discovers

Colour from the Garden
Linda Rudkin shows you how to create wonderful dyes from your garden plants

The Crafts Study Centre
We look at the Centre's special series of exhibitions marking a Year of Textiles in 2005

Paradise Lost?
Jessica Hemmings looks at Toile de Jouy's historical role as social record keeper

       

Chikankari embroidery

Fine Cell Works

African beadwork

Delicate Delights
Brinda Gill introduces us to the finery of chikankari embroidery

Prison Works
Discover how Fine Cell Works turns prison inmates into embroiderers

Beadwork: Materials and Making
Mary Sleigh investigates the eclectic materials used by African beadworkers

     
Embroidery

In this issue
 Editor's Letter
September
2005
 Books
reviewed
 And more...

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Call for contributors

Embroidery is searching for contributors with good feature ideas for the magazine. If you have a burning desire to write on an aspect of embroidery or the related applied arts, both past and present, we would love to hear from you. Initially, we would welcome ideas for our feature pages but we would also like to hear direct from embroiderers and textile artists about their work. Anyone who is interested should email the editor, Joanne Hall - or write to her (see the contact page), with a one-page proposal and an indication of the illustrations they would use.

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